Wednesday, 5 May 2010

The Arts in our Lives


   Do you like penguins with colourfully painted and decorated bodies? These penguins are from a public art project called ‘Go Penguins’, which took place in Liverpool, St Helens and Wirral, in Merseyside, from 22 November 2009 to 10 January 2010.

   Arts deeply root in people’s life throughout the world. It is pretty interesting that all human races have the same sort of arts, including paintings, music and theatre performance, although the style is different. Therefore you might be able to say arts have been essential to human life for some reason. It may be very difficult or even impossible to discuss what is exactly an art, but you still can consider about what arts do in our society.

   Go Penguins are really good example of a public art exhibition which combines various roles of arts to communities. The event was organised by Wild in Art in conjunction with Liverpool City Council and consisted of over 235 models of penguins with a story to tell. ‘Go Penguins needed to be more than artistic and fun; it needed to talk to people about climate change without them switching off, while being a unique platform for the creative wealth of the region. The event needed to be accessible, educational and inspirational.’*

   For instance, this art event helped the local tourism and economy, as it is supposed that many people visited Liverpool and strolled through the city to see those penguins. It also supported the local and young artists by giving opportunities for displaying their penguin works in the public space. Go Penguins emphasised the great culture of Liverpool; some of the penguin models were named like ‘I WANNA HOLD YOUR HAND’ and ‘I AM THE WALRUS’, or actually got the paintings of the Beatles, and Liverpool FC/ Everton FC. In addition, the project held an educational aspect. 98 schools (almost half of all the schools in Liverpool) have participated in Go Penguins so pupils could learn about the issue of climate change in a fun, creative and engaging way. Overall, it could be said that the community became richer because of arts. (I did not see the actual event, but visited Liverpool last February and found the official books were still left at the tourist information. Actually everybody will enjoy the book because it contains the photos of all the penguin models.)



   Go Penguins was actually a very large project for the whole city of Liverpool, but if you look at the arts in our lives, you will notice there are surprising number of smaller and easier energetic projects for communities, especially in educational fields. This point is one of the major things I learned from the module Arts Within Society. Through the conversations of the lecturers from various fields of arts, I realised that there are many different ways of life participating in arts – not only making an smash-hit album, or a film impress people all over the world. Although the impacts for the whole society are smaller, the lecturers’ activities may move a child’s/student’s heart, and then the boy/girl, in the future, will possibly take part in an art project like Go Penguins or in education of arts. Perhaps it is a great cycle, and the society will be richer because of this.


*Go Penguins – A Cerebration Of Creativity In Merseyside, The Official Book (2009) UK: Peppered Sprout Limited/ Wild in Art Limited

Theatre - Hairspray 05/05/2010 2:30pm

   On 5th of May 2010, I went to an award wining musical ‘Hairspray’ at the Clyde Auditorium, SECC. I actually had seen the musical in London like two years ago and it was absolutely brilliant, so I was really glad to hear that Hairspray would be coming to Glasgow, and immediately decided to see it. There are quite a few empty seats, especially in the side seats, Rear Circle and Gallery (balcony), probably as it was a matinee. I bought the cheapest balcony ticket, but in consequence of this situation, I enjoyed an unexpected benefit that I could upgrade my seat to stalls for free! A live orchestra performed the music. It was pretty remarkable for me because Japanese theatres, especially in the provinces, often use the recorded music, which I do not prefer.



   Hairspray is originally from Broadway. I am not sure whether there are big differences or not, between the American version and the West End one. The production is currently on the UK tour and coming to Glasgow from 28th April to 8th May 2010, with featuring Michael Ball, the British leading theatre star!

Here is the brief story of Hairspray from the official website.

   ‘In Hairspray, it's 1962, the '50s are out and change is in the air. Baltimore's Tracy Turnblad, a big girl with big hair and an even bigger heart, has only one passion – to dance. She wins a spot on the local TV dance programme, 'The Corny Collins Show' and, overnight, is transformed from outsider to irrepressible teen celebrity. But can a trendsetter in dance and fashion vanquish the programme's reigning princess, win the heart of heartthrob Link Larkin, and integrate a television show without denting her 'do? Only in Hairspray! Welcome to the '60s!’

   The musical was highly effectively directed. For instance, the announcement before the show said something like ‘Please switch off your mobile phone because you are in 1962!’ The costumes represent the old American fashion; Presley-like suits and psychedelic cloths, such as bright orange/green/pink shirts. The songs are basically consisted of American blues or rock n roll, but I felt that black characters sang serious heavier blues in contrast with the whites sang lighter fashionable ones. It might be one of the compositional directions. Also, it can be said that the cheap-looking stage sets, such as comic-like houses and a girl’s pinky room, did a great job to emphasis the time setting, which is 1962.



   Hairspray is less spectacular than productions like Les Miserable, The Phantom Of The Opera and Wicked, but an absolutely funnier and amazingly brighter musical with colourful costumes and funky shiny hairstyles. Although it deals a heavy theme of racism, Hairspray makes everyone happy and is magic. I consider that it is the most musical-like musical I have ever seen, and Hairspray has been one of my most favourite show since the first time I watched it in London. I think what is notable is the fact that the stage of Hairspray is far from our daily life. The narrative itself is kind of Cinderella story, which is unrealistic, and the performer’s costumes and hairstyles are different from today’s fashion. In addition, a male actor plays the main character’s mother. Perhaps these elements take you to the world of 1962, and also the world of entertainment!